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(Image: [[https://i.ytimg.com/vi/cGOArR22mDI/hq720.jpg|https://i.ytimg.com/vi/cGOArR22mDI/hq720.jpg]])Some interesting notes: True Grit didn't get a single award despite ten (10!) nominations; Christopher Nolan didn't receive any awards despite Inception being entirely original and praised for its design, winning 4 other awards no less; Anne Hathaway, poking fun at the Academy's attempt at appealing to a younger demographic is the presentation's youngest host ever at 28 and last but not least, 8-time Oscars host Billy Crystal made a friendly and fun appearance making some wish he was back to host ag

In the absence of Jessica Lange, Sarah Paulson has stood up and taken hold of the series to legitimize it beyond it's love of excess and spectacle. She has been afforded a slightly different character to the one she usually plays in Ryan Murphy's aging series and the result is a commanding performance that deserves to be singled

Uzo Aduba is going to win awards for her role on Orange is the New Black for as long as that series is running – or as long as she stays on it. But the thing is, Aduba absolutely deserves the accolades that have been heaped upon her. She has given Suzanne Warren, a character with a nickname like 'Crazy Eyes,' the sort of abundance of character and compassion that transcends such a shallow moni

In the end the family manages to at least partially gain back the trust of the art world by finally documenting on film themselves Marla creating a painting called "Ocean" from start to finish. Although that particular painting does share similarities to prior paintings, it actually seems less sophisticated than those that have come before. Since then they have documented another painting from start to finish called "Rain", which does seem to be closer to the style of the earlier painti

The director interjects himself into his own documentary to express his suddenly conflicted feelings on the entire project due to the extreme turn of events. I think this really adds to the sense of neutrality of the film as you see that this was very unexpected. He's known the family for quite a while now, and although they seem very honest and forthright he is plagued with doubts... in particular because throughout the months he's spent with them he has not managed to capture her creating one of her paintings on f

We meet the family, consisting of Marla, a younger brother and her parents. The first half of the documentary tells the story of what led up to the discovery of Marla's paintings (first displayed at a local coffee shop just for fun) and the ensuing fame and eventual media blitz. The Olmstead's introduction to the world came through a local newspaper reporter who comes across as extremely ethical on both the journalism side of things as well as the human side. Before writing her initial story about Marla and her paintings, she asked the Olmsteads very clearly whether they really wanted her to write the story, because although there was a positive side to the publicity there could also be some negative consequences down the r

Weapons is yet another movie that starts with the ending. Coincidentally, The Good Life which starred Mark Webber, who is also in this [[https://moviefestivalhub.com/|film festival games collectibles|https://moviefestivalhub.com/]] also started the same way. Sometimes it works, sometimes it doesn't. Once the movie was through it became obvious why it was done that way, but that doesn't exactly mean that it worked well. The opening scene with it's lingering, slow camera shot is indicative of more of the same to come. It starts quite literally with a bang that is not for the feint hear

No one's 2015 could possibly compare to Oscar Isaac's 2015. The guy was everywhere and yet you still felt like you couldn't get enough. A lot of that is due to him turning in intimate, challenging performances like he did in Show Me a Hero , while also being the best damned fighter pilot in the resistance in Star Wars: The Force Awakens . He's the sort of superstar that seems destined to attract as much blockbuster attention as awards recognit

In a 1950s-esque world where space radiation turns the dead into zombies, the Robinson family navigates life with a domesticated zombie named Fido. Timmy, a lonely boy, befriends Fido, seeing him more as a pet than a threat. As their bond deepens, Fido unexpectedly becomes a companion to the neglected Helen, challenging the notion that zombies are merely mindless killers. Amidst family dynamics and societal pressures, the Robinsons learn that love and loyalty might exist in the most unexpected fo
 
After the black and white introduction we find ourselves in an elementary school classroom, complete with perky teacher wearing a technicolor yellow dresss and well behaved students. The first clue as to the tone of the movie is given when the newly arrived Safety Director of ZomCon (who has a daughter in the classroom) arrives to fill the kids in on how much safer the town will now be with him around. The first question he asks the room filled with nine or ten year olds is: "So how many of you have killed a zombie?" To which the reply is about a half dozen little hands shooting up in an affirmative answer, all the while with smiles all around the cl

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